![]() But for the massive update to version 2.0 it had to be done again, but it's not worth the effort, so I've just excluded this profile from the pack. So, for versions 1.x of MEOW I had made the transform based on a color checker, and the result of it was a complex LUT for converting broken color space of GH5 into something meaningful. GH5 V-Log L is supposed to have the V-Gamut color space primaries, according to its specs, but based on my measurements, this camera does something wrong and it's impossible to find acceptable 3x3 matrix for the primaries. Panasonic GH5 V-Log L LUTs were removed.Set IPP2 Log3G10 WideGamutRGB for R3D files in Camera Raw settings instead. Set Gen5 for BRAW files in Camera Raw settings instead.Īll RED profiles except RED Log3G10 WideGamutRGB were removed. Blackmagic Design Gen4 color profiles were removed. ![]() ![]() I’ve never used them and never heard of anyone using them either. Gamma 2.6 P3 D65 display device output added.LUTs now have a film-like behavior with highly saturated colors, when they softly turning towards white instead of clipping and turning into solid colors.Scene-to-display (often incorrectly called log-to-rec709) transforms have gamut compression now, that dramatically softens transitions from one color to another on hue gradients of LUT stress test images.The looks are smoother now and have less contrast to better match expectations of those who are used to ARRI K1S1 tone curve. I put everything I know about color into these LUTs, and after months of development and testing, I’m very proud of the result! These LUTs should be more than enough for the most tasks you encounter as a colorist. Hi! I’m a professional colorist and I’ve been creating on-set and post-production look Show LUTs for Netflix TV series Get Even, a Sky original The Midwich Cuckoos, BritBox series The Tower and feature films The Tutor and The Lost Girls.
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